Author: Site Administration

The Vagina Monologues

 

V-Day Singapore is proud to present Eve Ensler’s “The Vagina Monologues” at the Singapore Arts House on Sunday 22 April 2012 at 6pm.

Tickets at $25, through VM2012tickets@sayoni.com or $28 at the door.
Please note, that the seats are limited to 120, so get yours early!

V?DAY Singapore comprising of Sayoni and friends joins the global effort to to stop violence against women and girls. The ‘V’ stands for Valentine, Vagina and Victory over Violence. Further information about V-Day and its other campaigns to end violence against women and girls worldwide, can be found at www.vday.org

Funds raised from the performance will benefit Sayoni, an organisation seeking to empower Queer women towards greater community involvement and presence through open dialogue and public education. Get more information here.

This performance has been rated “R18” due to mature content and strong language.

Please note that this play is performed by local women activists and not actors!

AWARE AGM: Election year

The Annual General Meeting (AGM) this year will be held on May 26, Saturday, 2pm, at the AWARE Centre. Mark the date now in your calendar and keep the afternoon free.

A formal notice will be sent to all members by April 14. If you have not renewed your membership, please RENEW your MEMBERSHIP NOW by logging in on the sidebar on the right, so that you will receive the notice.

Upon the issue of the notice, AWARE will suspend new membership applications until the AGM is over. Renewal of existing memberships will still be accepted during this period.

This is an election year: Members will be voting for a new AWARE board at the AGM.

Click here if you have any questions about the election process, the AGM, or if you would like a copy of the AWARE Constitution or bye-laws.

To confirm your attendance at the AGM, please register here.

EVENT DETAILS

When: May 26, Saturday, 2pm
Where: AWARE Centre
This event is open to members only.

Roundtable Discussion: Female and feminist representation today

 

The issue of representation – of being seen and heard, and of giving voice to those otherwise silenced – is paramount to feminist scholars and activists, whether this is understood in terms of democratic representation (elections, female ministers, etc.) or media representation (sufficient female visibility, non-sexist or non-stereotypical images of women).

It is generally understood or supposed that more female representation in either of these realms is always better or preferable over less. This Roundtable seeks to discuss the potential problems that such an assumption runs into today. It will do so especially in relation to the ubiquity of media technologies and pervasive online information, as well as in relation to the perhaps male-centric idea of visibility and voicing-out as always preferable. As the old saying goes: speaking is silver, silence is golden?

SPEAKER
Ingrid M. Hoofd is an Assistant Professor in the Department of Communications and New Media at the National University of Singapore (NUS). Her research interests are Issues of Representation, Feminist and Critical Theories, and Philosophy of Technology. Her work addresses the ways in which all kinds of activists and academics mobilize discourses and divisions in an attempt to overcome gendered, raced, and classed oppressions worldwide, and the various unintentional effects this may have. Ingrid wrote her masters’ thesis on Cyber-feminism at Utrecht University in The Netherlands. She has been involved in various feminist projects like AWARE Helpline, SlutWalk, and NextGenderation.

EVENT DETAILS:

Date: April 19, Thursday
Time: 7.30pm
Venue: AWARE Centre (Block 5 Dover Crescent #01-22)

Please register for this event here

 


Miss Representation School Outreach Programme

This year, AWARE is bringing to Singapore Miss Representation, a documentary that was produced in California, San Francisco, and which has been screened all over the world  since 2011.

Miss Representation is about a matter close to the hearts of many people – What it means to be a confident man or woman in a time where media representations of masculinity and femininity are increasingly narrowly defined and pervasive in influence.

 At the same time, we see many cases of lowered self-worth among youths today.

Dissatisfaction with personal appearance is common, and manifests in behavioral trends such as the rise in eating disorders (Channel News Asia, 2007; 2010). While it is predominantly females who are afflicted, patient statistics indicate that males are increasingly experiencing similar pressures. Popping slimming pills is also increasingly common; Singapore ranks fifth in the world in per capita consumption of slimming pills (International Narcotics Board Report, 2007).

84% of teenage girls in Singapore want to change the way they look (Dove, 2007) and 81% said they would miss school, avoid social occasions, or retreat into their bedrooms if they feel insecure about themselves (Channel News Asia, 2007).

Miss Representation critically examines how such trends are related to representations of gender in media. It also analyzes how this preoccupation with current standards of beauty is undermining women in other ways.

Official statistics in Singapore show an increase in cases of spousal violence from 2005- 2006 and an increase in incidences of rape from 2006 – 2009 (Singapore Police Force). The objectification and sexualization of women is believed to be closely associated with violence inflicted on women. Media representation of gender also reflects and perpetuates the inadequate representation of women in political, creative and corporate leadership.

AWARE feels it is crucial that young women and men understand the nature of media today. In addition to screening the documentary in schools, we have prepared a curriculum on media literacy that we will be cover in workshops with students.

To teachers, school administrators, parents, students and those who are concerned about a holistic education for the emotional well-being of youths, do introduce our programme to your school. This workshop is for secondary school level and above.

Workshop Structure:

Introducing

Localizing

Personalizing

Problematizing

Concluding

Action

Opening up of discussion with introduction of central topic: Media Representation and three themes: 1. Beauty & Body Image 2. Gender Stereotypes and 3. Politics & Leadership Consideration of relevant local issues and case studies Deliberation of discussion questions that encourage sharing of personal experiences within small groups Critical analysis of: 1. Reasons for the way things are; 2. Its implications through activities that include role-playing and placing ideas on mind-maps Examination of the big picture: how these issues are related to state-civil society relations and International law Take-home messages and suggestions for carrying out personally-inspired actions of positive change; continuing campaign through further participation in activity competitions

 

 

 

 

If you are interested in bringing this workshop to your school, please contact Nina (projects@aware.org.sg or 6779-7137) for more details.

AWARE recently screened Miss Representation at The Substation and Nanyang Technological University.

The next screening is sponsored by the National University of Singapore and is open to members of the public.

EVENT DETAILS

Date: April 5, Thursday

Venue: National University of Singapore, AS2, Lecture Theatre 12

Time: 6pm (registration), 6.30pm (screening starts), 8 – 9pm (panel-led discussion, Q&A)

Panelists: Professors Eric Thompson (Sociology) and Ingrid Hoofd (Communications and New Media)

This event is free, but you must register your attendance here






Documentary Information

Documentary trailer: http://www.missrepresentation.org/

The Miss Representation organization: http://www.missrepresentation.org/

 

Why isn’’t there more research about women’s experiences in Singapore?

Writer and independent scholar Yu-Mei Balasingamchow explored this question and more during the Feb 16 Roundtable Discussion held at the AWARE Centre.

By Veesha Chohan

At our most recent Roundtable session, Yu-Mei explains the genesis of her project, Troublesome Women, a book consisting of 24 academic essays on women, gender and sexuality in Malaysia and Singapore that she co-edited with academic Adeline Koh.

They initiated this project in 2009 because they believed that the experiences of Malaysia and Singapore could provide deeper insights about the crossroads between gender, modernity and globalisation.

The book features contributors from Singapore, Malaysia, Australia, Canada, the United States, and the United Kingdom. In terms of content, this is a broad interdisciplinary project that does not just focus on gender studies alone, but crosses over into law, history, political science, economics and anthropology.

They thought it was a good idea to start an inter-disciplinary project that put women at the centre, because the majority of academic writings focus only on one aspect of women’s issues, and thus fail to offer a broader perspective on women’s experiences within the context of a fast-paced and ever-changing global environment.

Yu-Mei explained that the title Troublesome Women helps to capture the reader’s attention, while also tapping into the idea that women are disturbing the status quo and disrupting social expectations about gender roles.

So why isn’t there more research about women’s experiences in Singapore? Yu-Mei believed that this might be because women’s studies as a discipline is marginalised in Singapore, almost pushed aside as a ‘ghetto’ discipline that does not offer any practical skills.

Furthermore, women in Singapore are thought to ‘have it good’, in a modern and prosperous country with high standards of living. They do not necessarily have an ‘oppressed narrative’ like women in some developing countries. Yu-Mei believes that such perceptions exist because of a lack of political consciousness in Singapore, and it is because of this lack of consciousness that people fall back on assumptions about what a woman’s role in society should be.

Yu-Mei quoted historian Joan Scott, the author of Gender: A Useful Category Of Historical Analysis. In her book, Scott focused on how gender can give meaning to the organisation and perception of historical knowledge, and stated that we should understand gender as an analytical category that signifies power between groups of people. How, why and what processes help to construct distinct masculine and feminine identities is at the core of Yu-Mei and Adeline’s project, which asks questions about how gender can be used to conceive modernisation and global processes in Singapore and Malaysia.

The Troublesome Women book is split into three sections: a history of feminism and women’s movements; gender and the state; and gender and representation.

Two of the essays in the book deal with the AWARE saga in 2009, exploring the media spectacle that ensued as well as whether the discussion about the saga really addressed any real hard-pressing questions about gender issues in Singapore.

Yu-Mei also highlighted another essay from the book, which focused on girls’ schools in Singapore during the pre-war period. This essay reveals the attempt to introduce female education as a progressive force. In the mid-19th century, Western European and American missionaries introduced the Chinese community in Singapore to a new concept: the formal education and training of females in order to preserve and propagate their virtue. Influenced by social and intellectual movements in China, non-Straits Chinese and recent immigrants were determined to improve the minds and actions of girls in order to create a more modernised society. All-girls secondary schools thus flourished in the early 20th century because of these parents’ conservative attitude towards placing their daughters in co-educational secondary schools.

Ultimately, the editors of Troublesome Women hope to create a network of scholars interested in using gender as a category of analysis, in order to facilitate ongoing research about women’s experiences in a Singapore facing an influx of new immigrants and ongoing economic development.

Find out more about AWARE’s monthly Roundtable Discussions here.

Sugar & Spice: Women talk about girlhood

In conjunction with International Women’s Day 2012, Etiquette and The Association of Women for Action & Research (AWARE) come together to present Sugar & Spice, a reading of poetry and prose by women writers.

Inspired by Eve Ensler’s TEDTalk “Embrace Your Inner Girl”, and in line with the international theme for IWD2012 “Connecting Girls, Inspiring Futures”, Sugar & Spice investigates ideas of girlhood, with writers reading original pieces as well as pieces written by women they admire.

Curated by Zarina Muhammad and Tania De Rozario, the line-up includes writers such as Ovidia Yu, Dana Lam, Nurul H and Shubigi Rao. Also on the menu is a video by Zarina Muhammad and Lisa Li, documenting interviews of women above 50, addressing issues central to their childhoods.

EVENT DETAILS

Date: March 8, 2012, Thursday
Time: 7.30pm
Venue: The Pigeonhole (52 & 53 Duxton Road)

Featured Participants

Tania De Rozario is an award-winning artist and writer whose work has been exhibited in Singapore, Amsterdam, and San Francisco. She is a 2011 Hedgebrook alumna and 2011 winner of the SPH-NAC Golden Point Award for English Poetry. Co-founder/curator of Etiquette, Singapore’s first annual multidisciplinary arts event focusing on feminist issues, she has been published in literary journals in Singapore and abroad, and exhibits regularly. When she is not talking about herself in third person, she freelances as a writer for TimeOut Singapore’s Art & Design section, teaches drawing at the Substation and tutors Contemporary Contextual Studies part-time at LASALLE College of the Arts.

NuruL H. is in the midst of peeling the psychotic postgraduate from her pensive photographer persona. She illuminates aspects of the liminal, intangible, and the unvoiced as mouths and methods of telling stories about the everyday. Each piece is a biographical account of something or someone. As the power of the unvoiced lies in its visual presence, so it is here at which this textual bio ends. Nurul is curator at the NUS Musuem as well as a photographer.

Judith Huang is a writer, artist, translator and editor based in Australia as well as Singapore, where she serves as Editor for Ethos Books. A three-time recipient of the Foyle Young Poet of the Year Award (UK), she has beeen published in journals and anthologies at home and abroad, and has been invited to various reading series and conferences. Her essays have been published in China Daily and Lianhe Zaobao. A budding illustrator, she received the Sydney M. Williams Grant for the Visual Arts (USA) in 2008 and is working on illustrations for an upcoming poetry book, as well as her first novel. She graduated cum laude from Harvard University in 2010, where she was elected to the Signet Society of Arts and Letters for contributions to the arts.

Dana Lam is a published author and artist and currently lectures part-time at LASALLE College of the Arts. She has a BA from the then University of Singapore and an MA (Fine Arts) from LASALLE Open University. She has worked as a reporter at The Straits Times and as a book editor and project coordinator. Her most recent work include She Shapes A Nation, a documentary which captures the nuances of women’s lives and women’s choices in five decades of nation making. She also the author of the book Days of Being Wild. Dana has an abiding interest in “what goes unsaid”, compelled by the notion of culpability.

Lisa Li is a writer and teacher, with a special interest in education, history, human rights and community development. She strongly believes that mature public discourse is best nurtured through intellectual freedom & critical thinking in the classroom, the media and society at large.

Zarina Muhammad is a curator, writer, art historian, and educator, whose work and research have been largely defined by the innumerable ‘Hyenas in Petticoats’ in text and history. She is the co-founder of Etiquette and is also the curator responsible for Me & My Friend, a collaborative visual arts showcase produced by creative collective TickleArt and human rights group MARUAH to commemorate International Disability Day and International Human Rights Day in 2009. Her writing has appeared in Article: The Singapore Biennale Review (published by The Substation & AICA Singapore ), The Praxis Press, No Other City: The Ethos Anthology of Urban Poetry and Preoccupations: Things Artists Do Anyway. Currently, Zarina is working on a writing project on women, myth, and magic.

Shubigi Rao is a visual artist and lectures part-time at LASALLE College of the Arts, where she obtained her MFA and BFA. Her awards include the Winston Oh Travelogue and twice the Award for Excellence in the Arts for outstanding student of the year. Her notable exhibitions include The Tuning Fork of the Mind, commissioned for the second Singapore Biennale (2008). Her work involves complex layered installations comprising handmade books, text, drawings, etchings, pseudo-science machinery, and archives. She has been exhibited and collected in Singapore, Hong Kong, Amsterdam, and India.

Ovidia Yu is an award-winning novelist, short-story writer and playwright. She is the recipient of the Japanese Chamber of Commerce and Industry (JCCI) Singapore Foundation Culture Award (1996), the National Arts Council (NAC) Young Artist Award (1996) and the Singapore Youth Award (1997). Her plays have been peformed locally and also in Hong Kong, Malaysia, Glasgow and Edinburgh. She has worked with Action Theatre, TheatreWorks, The Necessary Stage, Arts and Acts, Music & Movement, WOW International and Wayang-Wayang Theatre Company

About the venue
The Pigeonhole is a book cafe and dynamic arts space promoting local NGOs, music, film, performance and art. It believes in amazing coffee, sourcing it from Highlander Coffee, freshly ground, every day. Along with coffee, it offers a selection of luxurious desserts, if you’re feeling indulgent. If you’re in the mood for a tipple, it has a globetrotting range of Scottish & Japanese whisky, Australian & Chilean wine, English cider & European lagers. It also maintains an exciting arts programme (film screenings, arts exhibitions, readings, recitals) and collects second-hand and rare books, having handcarried some from India, Thailand, Malaysia and further afield. Find out more at thepigeonhole.com.sg.

About Etiquette
Etiquette, an ongoing event in its third year, is a multidisciplinary showcase of art created by and about women. It looks to platform gender as a subject of discourse, and art as a tool to provide both artists and audiences with a safe space in which conversations about women’s issues can take place.

“Etiquette” as a practice, revolves largely around codes of conduct that enable an individual to negotiate a social space without conflict and on a larger scale, a community or society to carry
on, as is. Assuming the “natural” roles of our designated gender unquestioningly is a form of etiquette that perpetuates existing power structures which discriminate against women in almost all spheres of personal and professional life.

For this reason, the rules of gendered etiquette need to change. We believe this starts with conversation. And we believe that art starts great conversation. Visit us at www.etiquette.sg.

Thoughts after watching Aunty Lucy

AWARE member Lee Yenyen (pictured below) ponders the damaging gender stereotypes found in the Chinese-language media here.

By Lee Yenyen

Watching an episode of Aunty Lucy left me feeling much infuriation.

For the sake of giving a review, I made myself watch three episodes. Not only did I waste three precious Sunday afternoons, I had to tolerate vulgar insults which killed many of my brain cells.

Such a distasteful programme released for the sake of attracting advertising dollars is a waste of time, a compromise on appeal and a lost opportunity to attract a more discerning audience. The high viewership, and a win at the Star Awards, have only proven an inclination towards tasteless entertainment. The show is full of Low discerning abilities, perceiving what is repulsive to be interesting, and yet it is lauded.

When women gain weight – whether it’s middle-age spread or pregnancy weight –  it is apparently never a good thing.  It’s a curse. If the weight is not gotten rid of, what we’ll see is an obese demon. Who’ll love you then? Who’d want you? Without diets, without makeovers, your fate is to be despised by men and made the subject of jokes. This is a tragedy! Without a man’s love and affection, it’s as though a woman has been thrown into the depths of hell – and she deserves it, for putting on weight and not losing it.

Even if you aren’t shunned by your husband, your appearance will bring looks of disdain from others. A man with a dumpy wife by his side invites comparisons to beauty and the beast, eliciting jokes aplenty.

And then…Aunty Lucy appears. With relentless nagging, she hauls a deluge of such females off to beauty centres for treatments, with no regard at all as to how much the treatments cost and whether the women are able to afford it. Money rolling out of your bank account is still better than your husband having an affair – that would be the real calamity!

After marriage, childbirth, middle age, old age…fear, self-loathing, lack of confidence and guilt all come along…how pitiful for Chinese women!

安娣露西观感

一系列安娣露西的促销 广告, 看得我无名火冒三丈!

为了评论, 勉强看完三系列。 枉费了三个星期日下午宝贵时间,还有满脑子经受烂言乱语污染的屈辱, 细胞死了还真不少!黄金时间。 为了可观的 广告费, 推出如此烂素质的节目 – 浪费了时间, 也流失了有高品味观众。 收视率的强劲,红星的得奖, 只证明了低级趣味的普遍。觉醒能力之低弱, 肉麻当有趣, 污辱字眼泛滥 , 竟然引来一个“赞”?

讲华语一族, 通常被归化为阿明, 阿花之类。 为搞笑,梁细妹, 粱婆婆出炉了,而且搞得风水起, 得奖连连。于是乎, 近年来, 男儿身不时兴, 兴来男假女身。一炮而红, 一夕名声大噪! 婆婆下台,安娣上台。

可怜狮城妖娆哥! 也来作兴。 东施效颦, 麻烦惹上身。

华语黄金时段电视节目, 针对华文教育群?种种 贬低语言,种种嗤之以鼻的 动作, 更让高素质、 国家刻意攘留的环球人才, 觉得无地自容!

能怪三顾茅芦之才, 去留取舍之间,选择不留守吗?

声声呼吁,学好华文华语的政策, 能奏效吗?中华文化几千年历史都让沫黑了。

女性中年发福,孕妇发福,都不 是一种好兆头, 是一种罪孽。谁来爱你? 谁还要你? 不减肥, 不作型像处理, 被男人丈夫嫌弃,打骂,抛弃,人人讥笑。没有男人爱,没有男人要,女人给判入了地狱,是咎由自取!

丈夫不嫌弃, 也会惹来异样眼光,闲言闲语。 丈夫是一表人才, 胖嘟嘟的太太,站在身旁, 百份百的野兽配俊男。惹来了笑话会是一篓篓。

如此这般, 安娣露西便出场了。 持着一种恨铁不成钢的苦口婆心, 带着这群处在地狱边缘的女性,一个个盲盲往美容整形院闯, 也不问费用多少, 可否承担得来。

钱由储蓄户口 源源滚滚出, 花钱消灾。丈夫觅外遇, 才真是世界末日!

结婚后, 产后, 中年, 老年。。。恐惧, 自卑,无自信, 罪恶感。。。源源而生。。。可怜了华夏妇女群。

The writer is a life member and former executive committee member of AWARE. The English translation was done by Yip Ka Man.

Roundtable Discussion: Gender representations in advertisements


EVENT DETAILS
Date: Thursday, January, 19,  2012
Time: 7.30pm
Venue: AWARE Centre (Block 5 Dover Crescent #01-22)
Register for this event here.
Have advertisements become more sexualized? Or are they now more gender-neutral? For our January Roundtable Discussion, four students from the National University of Singapore will be sharing their findings via a historical mapping of product advertisements. The following are some of the products we will be discussing:

Ice-cream

Advertising tells us that a woman’s body is made to be consumed – and what better way to examine this than through commercials that sell ice-cream? An analysis of ice-cream print ads over time reveals how the rise of the modern nuclear family, capitalism, consumerism, and changes in women’s status have affected the way ice-cream has been bought and sold. A further glance at contemporary ice-cream ads today also show us widespread societal notions about masculinity, race, and ideal gendered as well as sexualised behaviour and body types.

Alcohol

From the cultural, economic and biological perspective, men have consistently been the primary target group for alcohol advertisements over the past 60 years. But why? Themes of masculinity, femininity, sexuality and objectification of women will also be highlighted, to showcase how alcohol advertisements (to a large extent) still utilize gender stereotypes in order to attract their primary target audience – the male consumers.

McDonalds

The presentation will cover an introduction to McDonald’s and its advertising history and a sharing of the analytical findings. It will also highlight the trends in these advertisements – are they all inherently gendered in some way or another?

SPEAKERS

Kellynn Wee
Kellynn Wee is a Sociology and English Literature major at the National University of Singapore with a particular interest in gender and sexuality issues (especially pertaining to South-east Asia, religion, post-colonialism, and masculinity) as well as children’s and young adult literature.

Nur Fadilah
Nur Fadilah is currently a Year 4 NUS undergraduate majoring in Social Work. After graduation in 2012, she will be working as a social worker at a family service centre working with families and at-risk youths

Bryan Chia 
Bryan Chia is a 3rd year undergrad currently reading Sociology at the National University of Singapore. My interests in my field of study is in deconstructing processes and belief systems.

Braema Mathi Joins AWARE as Research and Advocacy Director

AWARE is pleased to announce the appointment of Braema Mathi as Honorary Research and Advocacy Director.

Braema has a long history with AWARE, having joined in 1992, served two consecutive terms as President of the association, as well as heading up the CEDAW sub-committee. Part of her role is to review AWARE research and advocacy (R&A) priorities, then to set the framework and to put forth key areas to focus on in the short and long-term. This is the first time in AWARE’s history that a role such as this has been created.

Research and Advocacy forms one of the three pillars of our organisation (the other two being support services and the AWARE Training Institute). Her appointment strengthens the Research and Advocacy capabilities of AWARE.

Braema served as Nominated Member of Parliament from 2001 to 2004 and was a journalist with the Straits Times for nine years. In addition to her role at AWARE, she is also founder of MARUAH (Working Group for an ASEAN Human Rights Mechanism, Singapore, Transient Workers Count Too (TWC2) and A Recycling Network In Action (ARENA).

AWARE is thrilled to have Braema onboard, with her wealth of relevant experience as journalist, activist, researcher in human and women’s rights, at both local and international levels.